

My interest lies in creating a hyperreal environment that borrows from 1970s pattern design aesthetics and combines together a patchwork of recycled fabric scraps, various crafty thread and yarn materials, and other miscellaneous industrial cords and wires. In these spaces one can comingle with soft, anthropomorphic forms amidst playfully claustrophobic installations...
I am excited by the eccentric and colorful discarded objects, and in this sense, wish to revive their life by putting them to use. This guides my practice towards focusing on ideas of birth and life cycles, both in terms of concept and materiality. These ideas take shape through referencing botanical niches and biological ecosystems that are intricately woven together through their interactions within whimsical utopias. Specifically in these systems, I am intrigued by the relationships between plant-life, animal-life, and human-life–how these are connected and unconnected, manipulated, sustained, and tainted. Such references include a collective of orifices and appendages, pistils and stamens, umbilical cords and funiculi, fetuses and larva.




See more of Jen's work at her website.
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